I just happened to listen to the songs of Hritik Roshan's upcoming flick, Krish3.
In the process I came across a few reviews that say that the album is insipid and sounds outdated.
But I thought, I should I beg to differ. I felt this is great music. And the songs are doing well, aren't they? The song Raghupati Raghav Raajaram is already on the lips of children. Dil Tu Hi Bata is on the way to become a national sensation.
Just a couple of points before the review...
This so called modern music, has been, kind of, forced on the Indians. It is too much of a task to be able to, even hum a modern song. Who, if I may ask, is actually asking for so much of a complication in music, in this already complicated life?
The masses are still simple. Simple mass numbers are all hits today and that proves this point. I mean the kinds that Mika sings... I feel most of the modern stuff goes over the heads of masses, frankly.
The old has been forced out, but the new is still coming because it is coming from various foreign lands... it is a confusion, that composers are in, for at least 18-20 years now!
A song should have mystery about it, and yet it has to be hummable. The BGMs and pattern music pieces should be hummable by the masses, should be easy to hold on to and remember. Only this way, music can penetrate masses who are the real heart of a country.
Music that stays with people is that which is mysterious, hummable and is one that touches some deep recesses of their hearts.

Rajesh Roshan belongs to the older generation of music directors. Can we forget his Julie? But for years now, he has been employed only by
his brother Rakesh Roshan...
Rajesh Roshan retains the olden days' style of tunes, and has given the orchestration, seemingly, to the new age arrangers. Yet, he must have supervised the rhythms and melody parts so that they are never complex or overloaded. The sound of the album is good, we could listen to all the instruments quite clearly.
In Krrish3, Rajesh Roshan attempts to merge the old style of tunes that touch the soul, with the new age heavy kick and base guitar patterns... as he did for Kaho Naa Pyar Hai & Krrish earlier...
Coming to the album,
Raghupati Raghav Rajaram, somehow, has a soul that would connect to people. Hritik's dance movements shown for the song in trailers have already caught on with youth.
You Are My Love is a song that seems to have been composed on the lines of the advert "you are my honey bunny". It has a Goan feel, an interesting "teen maar" rhythm. And this number has a potential to remain with people because you could listen to it repeatedly, the orchestration is simple and does not give you fatigue. You could listen to Alisha Chinai and Mohit Chauhan in this number.
God Allah Aur Bhagvan is again an old style tune. Yes, you could say it is slow in the modern sense, but we need to understand that speed has given us nothing except blood pressure and sugar.
In the antra, you could listen to lyrics like "sab mein vo chupaa hai use pehchaanle... vo dostonka hai dost, yaaron ka hai yaar". Good old familiar lyrics by Sameer. "Pyar ka savera leke aayenge hum" says Sameer in the song... What a relief! I don't need to rush to open Google and search for the meaning of words... as I keep doing when I listen to the new numbers.

The album is modern where is needs to be. The rhythm patterns for
Raghupati Raaghav Raja Ram are actually groovy... the club stuff, you could say... with a tune that has the flavour and soul of yesteryears sensibilities.
Theme of Krrish is passable. Perhaps it would sound good as background music when Hritik Roshan casts his magic with his impeccable screen presence in Krrish3.
The best song of the album is
Dil Tu Hi Bata. I feel this tune will remain with me for the years to come. Hats off to Rajesh Roshan for this tune. The rhythm pattern is fantastic. The selection of instruments lends a mysterious feel. Chorus taken from the keyboards, a trait of Rajesh Roshan, somehow deepen the feel of the song. The base guitar if perfect.
Kyon aaj suni teri dhadkan pehli baar - this line is the best part... Alisha Chinai's vocals push you into an abyss of nostalgia. Aa dilne mere sunlee tere dil ki pukaar, says Zubeen Garg, and this line, tuned in a high note, treated to with an echo effect, gives a haunting feel to the listener.
The antra has an excellent tune with lyrics like Duniya jhooti lagti hai... it will make the listener fall in love with the song... and with love itself...
Ok... I could keep keying a lot of things about this song... but I leave the rest to you to feel. I already listened to the song for 8 or 10 times... and plan to keep going all day today :)
Hey, I almost forgot, the piano piece is something I really loved, you will love it too if you happen to observe it.
Thanks to Rakesh Roshan and Rajesh Roshan. These tunes will keep the Indian music alive... in a
way it should be living...
Krish3 is not a classic. No. But it is something good to have happened to Indian music scene, I feel. Remember? When Sajid Wajid's Tere Mast Mast Do Nain became a hit, Bollywood Music underwent a positive change!
Even this day, you could listen to Kahona Pyar Hai and feel good. How many of today's songs would remain with you in 2023? Yes, same with Krrish3.
While we wait fondly for the best people of Hindi Film Music (who are taking rest now), to return and thrill us once again, let us live on with this music for now :)